There wasn’t even a gallery attendant around to keep watch. Zoe Leonard, Anthony Meier Fine Arts, San Francisco, CA (solo) 2014 Green Lankton, LOVE ME, Participant Inc., New York, NY The Sea. Strange Fruit accompanies Zoe Leonard's exhibition of the same name at the Paula Cooper Gallery. Zoe Leonard creates sculptural installations such as strange fruit ( for David) ( fig. Materials she uses in sculptures and installations — suitcases, fruit skins, vintage postcards — comes with prior, but unknown histories, creating intricate traffic patterns between present and past in her work. Wilted Flowers Strange Fruit Philadelphia Museum Of Art Vanitas Strange Fruit Philadelphia Museum Of Art Vanitas Orange, banana, grapefruit, lemon, and avocado peels with thread, zippers, buttons, sinew, needles, plastic, wire, stickers, fabric, and trim wax, dimensions variable. Some shows cast a spell you don’t forget. Artist Zoe Leonard displays her work Strange Fruit at the Whitney, and discusses its themes of mortality and discrimination with the Brooklyn Rail. 10.21) from materials. With its cool but startling blend of aesthetics and politics, art history and autobiography, the piece was an instant landmark in queer feminist art. Gregg Bordowitz is a writer, AIDS activist, and film- and videomaker. Atmospherically it was rich, wired into its time and place. A series of pictures called “The Analogue Portfolio,” dated 1998-2009 — and made with a now-discontinued dye-transfer process — records the facades of small storefront shops on the Lower East Side, and in countries she’s visited: Cuba, Mexico, Uganda. get your own projector for twenty bucks, and transform empty wall space into a beautiful work of art. Floor 3, Susan and John Hess Family Gallery and Theater Over five years, Zoe Leonard (b. At 15, she dropped out of school and started taking photographs. Image courtesy the Philadelphia Museum of Art. Installation view of Zoe Leonard (b. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. Members: please log in to reserve tickets. The stack of books in a 2016 sculpture called “Tipping Point” is just a stack of books until you see that they’re all the same book, James Baldwin’s 1963 eschatological tract, “The Fire Next Time.” Suddenly, the stack becomes an exclamation point: Read this! Leonard chose not to preserve the resulting work, Strange Fruit, (1992–1997), intending for its decay to be on view. Zoe Leonard (born 1961) is an American artist who works primarily with photography and sculpture. She was a vocal AIDS activist and this work recalls the death of her friend David Wojnarowicz. And, although her “life” is more than plausible, Ms. Leonard’s documentation of it, on display at the Whitney, is entirely staged. For this artist, time — ductile and emotionally loaded — seems as important a medium as photography or sculpture. Zoe Leonard’s Strange Fruit (1992–97) consists of some three hundred fruit skins – bananas, oranges, grapefruits, and lemons – consumed, then stitched back together by the artist with brightly coloured thread and wire. Analogue, by Zoe Leonard (American, b. Leonard’s work was forged in the crucible of the AIDS crisis, whose devastating effects she experienced first-hand, as the disease rampaged through New York’s gay community, and beyond. Zoe Leonard, Strange Fruit (for David) (detail), 1992-97 There is something sad and touching about emptied out fruit stitched back up in a futile attempt at mending. I want a president that had an abortion at sixteen and I want a candidate who isn’t the lesser of two evils and I want a president who lost their last lover to aids, who still sees that in their eyes every time they lay down to rest, who held their lover in their arms and knew they were dying. Zoe Leonard (born 1961) is an American artist who works primarily with photography and sculpture. Zoe Leonard’s Strange Fruit (1992–97) consists of some three hundred fruit skins – bananas, oranges, grapefruits, and lemons – consumed, then stitched back together by the artist with brightly coloured thread and wire. Zoe Leonard’s work includes sculpture and installation, much of it politically driven, but she is primarily a photographer who discards technical questions in favor of a more experiential approach to images and media. A twisting river gleams like a vein of silver; a vast city looks as dark and indistinct as a swatch of nubby fabric. Floor 3, Susan and John Hess Family Gallery and Theater. Over five years, Zoe Leonard sewed together skins of fruit. They’re just family photos. We shoot, send, or store, and move on, rarely revisiting, never mind lingering over, the images we’ve made. An installation of dozens of sewn fruit skins scattered across the gallery floor not only recalls Ms. Leonard’s 1995 solo but also her life at the time. The entire group could fit in a suitcase, and there are several of them — 56 to be exact — in different shades of blue, lined up across the gallery floor forming a sculpture titled “1961,” the year Ms. Leonard was born in upstate New York. Many of her photographs carry two dates: the year the picture was shot and the year, as much as a decade later, when it was printed. A series of 1990 photographs, shot in medical museums, of anatomical wax models of women, seems to have laid the groundwork for the Kassel piece. AIDS was stalking the city; an immigrant neighborhood was gentrifying; the art world was on the edge of a huge shift: the first Armory Show had debuted the year before. “Strange Fruit (for David)” by artist Zoe Leonard is as tender and fragile as it is innovative and…sometimes smelly. ZOE LEONARD: It’s a new body of work for the show in September. An installation of suitcases, in different shades of blue, are lined up across the gallery floor forming a sculpture titled “1961,” the year Ms. Leonard was born in New York. Zoe Leonard (born 1961) is an American artist who works primarily with photography and sculpture. 2018-okt-28 - Make the most personalized art calendar ever for yourself. And I had it to myself. Visit the Frank Lloyd Wright–designed Guggenheim Museum in NYC, part of a UNESCO World Heritage Site. In addition to the photographs, Leonard’s project Strange Fruit includes fruit skins stitched together after the pulp has been removed (Philadelphia Museum of Art). The Susan and John Hess Family Theater is equipped with an induction loop and infrared assistive listening Basically, “I Want a President” was a form of participatory public art, completed by being passed from hand-to-hand. Exhibition. your own Pins on Pinterest Wikimedia Commons has media related to Zoe Leonard It is composed of about 300 rinds and skins of avocados, grapefruits, lemons, oranges, and bananas. Zoe Leonard’s Messages Strike Hard — and Cast a Spell. It was also site-specific and probably era-specific, and impossible to reconstitute in its original form. Without some equivalent of its shock-effect gesture in the Whitney, there’s a danger that a visitor might miss the activist impulse in Ms. Leonard’s art, but it’s absolutely there. Zoe Leonard creates sculptural installations, such as Strange Fruit (for David) from _____ materials. Ms. Leonard’s work felt like a tight-lipped lament. The Whitney show itself — organized by Bennett Simpson, a senior curator, with Rebecca Matalon of the Museum of Contemporary Art, Los Angeles, and Elisabeth Sherman of the Whitney — follows a linear route, but an elastic one, shaped in part by what’s left out. The number of suitcases corresponds to her current age. Notably but unavoidably absent, for example, is a 1992 piece that put Ms. Leonard on the international map. It has not been seen publicly since 2001. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. They’re snapshots of her mother and grandmother taken in the late 1940s when they left their native Poland for America. We see them on shipboard in midocean, then in New York Harbor posing with the Statue of Liberty. Dec 12, 2011 - Zoe Leonard-strange fruit (fruit with needles zippers buttons wax plastic hooks twine ) And her spare, reverberant retrospective now at the Whitney Museum of American Art time-traveled me straight back to it. Many of the New York shops she shot a decade and more ago are now gone, wiped out by high rents and globalization. Discover (and save!) Physically, the show was, to say the least, modest. 2013 Chinati Foundation, '100 North Nevill Street', Marfa TX Galerie Micheline Szwajcer, 'Sun Photographs', Antwerp, Belgium The fruit skins—emptied, dried, faded, repaired, and ornamented—have the feel of relics, almost like photographs. And the idea of obsolescence — of the present slipping irretrievably into the past — haunts her recent work. The survey’s largest work, “You see I am here after all” (2008), consists of nearly 4,000 souvenir postcard views of Niagara Falls arranged on the wall as a giant, gridded collage. Jun 27–Aug 30, 2015. She cleared a few galleries of everything but 18th-century pictures of women, and interspersed them with images of her own: 19 close-up photographs of female genitals, for which friends and lovers had served as models. Installation view of Zoe Leonard: Survey, November 11, 2018–March 25, 2019 at The Geffen Contemporary at MOCA, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Brian Forrest. Label: Strange Fruit began as a means of consolation for the artist after the death of a friend, but now presents a wide range of possible readings, including a meditation on loss and mortality. Zoe Leonard’s “Strange Fruit” (1992-97), an installation of dozens of discarded and sewn fruit skins at the Whitney Museum of American Art. 1961) sewed together skins of fruit. She dedicated that show to the artist David Wojnarowicz, a close friend who had died of complications from AIDS in 1992. 1961) sewed together skins of fruit. ephemeral Artwork made of impermanent found objects is referred to as _____. Her art isn’t expressive that way: the opposite, really. 2017 Galerie Gisela Capitain, 'Misia, Postwar', Cologne, Germany. Katherine Hubbard is an interdisciplinary artist whose practice uses photography, performance, and text to explore the relationships between language, physical site, and political history. Christian Scheidemann is a conservator of contemporary art and the founder and president of Contemporary Conservation. It sometimes suggests the point-and-shoot blankness of tourist photography. 1961), is a landmark project comprising 412 photographs conceived over the course of a decade. Tickets are required ($10 adults; $8 members, students, and seniors). From Whitney Museum of American Art, Zoe Leonard, Installation view of Zoe Leonard, Strange Fruit (1992-1997), 295 orange, banana, grapefruit, lemon, and a… Zoe Leonard (born 1961) is an American artist who works primarily with photography and sculpture. Accessible seating is available. Strange Fruit speaks to fragility, to impermanence, but also to agency, and to the refusal to do nothing even when it seems there is nothing to be done. It has not been seen publicly since 2001. answered Nov 5 by kmtaylor. A few unframed black-and-white photographs dotted the walls: one of a bare city tree, another of a woman’s tousled head seen from behind, a third of graffiti reading “Gay + Proud + Dead.” The windowsills and a long shelf were lined with empty, wizened fruit skins, each stitched closed with needle and thread. Rowland’s work was featured in the 2017 Whitney Biennial. Most were taken in midair: shots of clouds from airplane windows, aerial views of sea and earth far below. I’m glad she makes us linger, makes us ask “what’s going on here?” And I’m glad her survey ends with personal images rescued from the past. 10.21) from _____ materials asked Sep 2, 2016 in Art & Culture by Missy A. ephemeral Ms. Leonard created what amounted to an elaborate archival storyboard for the film, photo-documenting the actress’s life. This installation comprises “Orange, banana, grapefruit, lemon, and avocado peels with thread, zippers, buttons, sinew, needles, plastic, wire, stickers, fabric, and trim wax” according to the Philadelphia Museum of Art. Ms. Leonard’s art often has a collaborative dimension. Or just simply enjoy the beauty of projecting the slides. His work—which includes sculpture, installation, drawing, video, and photography—addresses the politics of representation. Apr 22, 2015 - Explore Pedro's board "Zoe Leonard", followed by 537 people on Pinterest. But, as she does with the images of other things in the world she cares about, Ms. Leonard makes them her own through repetition, by looking, then looking again. Photograph by Graydon Wood, A 30-second online art project: asked May 18, 2019 in Uncategorized by ekacpuc. Chances are their equivalents elsewhere are too. Salut D’honeur Jan Hoet, Mu.ZEE Kunstmuseum aan zee, Ostend Petals on the Wind, Galerie Micheline Szwajcer, Brussels Staring at the Sun, Griffin Editions, New York, NY She was a member of Act Up (AIDS Coalition to Unleash Power). And the survey’s largest work, titled “You see I am here after all,” from 2008, takes repetition to an exhaustive extreme. “You see I am here after all,” from 2008. Never published, the statement circulated in various forms over the years. In the run-up to the election it was posted billboard-size on the High Line, not far from the Whitney, and became a social media hit. system. 2015 Museum of Modern Art, 'Analogue', New York NY Anthony Meier Fine Arts, 'Zoe Leonard', San Francisco CA. Zoe Leonard - Mouth Open, Teeth Showing, 2001, photo credits paulacoopergallery.com Questioning Mortality and Transience of Life. Not that there was much to steal. Zoe Leonard: Survey. Zoë Leonard creates sculptural installations, such as Strange Fruit (for David) (fig. The original typewriter-written version, on a single sheet of onionskin paper with ink corrections, is in the retrospective. This event will be livestreamed on YouTube. Ms. Dunye was working on a film called “Watermelon Woman,” partly about the life of a black lesbian Hollywood actress named Fae Richards, whose career had been thwarted by racism. Then in 2016 it went big time. The installation is ultra-austere, all white walls and window with a fiercely edited selection of photographs. Cameron Rowland is an artist living and working in New York City. Since first assembling the piece in 2002, she’s been adding one a year, extending a theme of travel in her art — through memory, space, and time — into the future. See the renowned permanent collection and special exhibitions. American Artist, Looted. Visit exhibition | eBay! That mood is hard to recapture in as public a setting as the Whitney, but “Zoe Leonard: Survey” comes very close. Galerie Gisela Capitain, Cologne, and Hauser & Wirth, New York. In fact, Fae Richards is an invented character. “For me photography is intrinsically about observation,” Leonard has said. It is photographs of photographs of my mom’s family in the period of time before, during, and after the Second World War. Leonard chose not to preserve the resulting work, Strange Fruit, (1992–1997), intending for its decay to be on view. Installed on the occasion of the 2016 U.S. presidential election, I want a president renders a poignant portrait of the cultural and political climate in the early 1990s in New York City with words that still resonate today. Yet you have to wonder, in the context of all this mass-produced sameness, how personal that “here” can feel. If Ms. Leonard has strong ideas or feelings about this, they aren’t spelled out in individual pictures. On the occasion of the work's appearance at the Whitney, a range of voices will reflect on Strange Fruit and its multiple historical inflections, its relevance and resonance today, and its very specific material existence. In Kassel, Germany, as a participant in Documenta, she designed an installation for one of that city’s venerable fine arts museum. This stuff on the wall right now is probably what I would call the heart of the work. Some of that technology became obsolete even as Ms. Leonard was using it. Over five years, Zoe Leonard (b. The Cooper show wasn’t in a gallery; it was in Ms. Leonard’s studio, an old two-room walk-up on the Lower East Side. Which means that unmediated modes of seeing — of seeing art, among other things — are becoming obsolete. Only when you see the “Analogue” images over their entire span do you begin to hear the expressive score they’re set to: a slow, plangent bass note. 2016 High Line Art, 'I want a president', New York NY Hauser & Wirth, 'In the Wake', New York NY. Collection of the Philadelphia Museum of Art; purchased with funds contributed by the Dietrich Foundation and with the partial gift of the artist and the Paula Cooper Gallery, 1998. 11.11.2018 – 25.3.2019. His practice combines research and strategic contractual agreements with the presentation of objects selected for their socially illuminating value. Moten currently teaches in the Department of Performance Studies at New York University. Make prints to hang on your wall. Her installation The Strange Fruit (For David), 1997, is … [2] She has spent much of her adult life living in New York City, which has been the focus of much of her work. I don’t know Ms. Leonard’s thoughts on all this, but I’m glad she makes art that is not natural Instagram fodder. For increasing numbers of digital shutterbugs, reality is not real unless it is photographed. The annual Pride March floods 5 th Avenue, and devotes a moment of silence to members of the community lost to AIDs and discrimination. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. The piece consists of nearly 4,000 souvenir postcard views of Niagara Falls arranged on the wall as a giant, gridded collage, with tiny modifications in otherwise identical scenes indicating advances over time in printing technology and color photography. See more ideas about Zoe, Leonard, Leonards photography. Zoe Leonard’s “Strange Fruit” (1992-97), an installation of dozens of discarded and sewn fruit skins at the Whitney Museum of American Art. It begins: “I want a dyke for president,” and continues: I want someone with no health insurance and I want someone who grew up in a place where the earth is so saturated with toxic waste that they didn’t have a choice about getting leukemia. 0 Answer. 0 votes. Displayed in serial grids and organized into 25 chapters, Analogue documents the eclipsed texture of 20th-century urban life as seen in vanishing mom-and-pop stores and the simultaneous emergence of the global rag trade. The work was made in the As a pictorial narrative — a film made from stills — the piece is a tour de force. Dec 19, 2011 - This Pin was discovered by Tom. Zoe Leonard’s 1995 solo with Paula Cooper Gallery did that for me. Untitled photographs from an airplane window at Ms. Leonard’s retrospective, “Survey,” at the Whitney Museum. The title quotes a handwritten message found on one of the cards, a little message of triumph felt at a “here” reached. The work was made in the 1990s, during the global AIDS crisis that devastated communities in New York, where Leonard was living and working. She has exhibited widely since the late 1980s and her work has been included in a number of seminal exhibitions including Documenta IX and Documenta XII, and the 1993, 1997 and 2014 Whitney biennials. Zoe Leonard, Strange Fruit (For David), 1992–97, installation view, Whitney Museum of American Art, New York. My first significant encounter with Leonard’s work was during the 2014 Whitney Biennial, the last to be held in the museum’s former location on Seventy-Fifth Street. Zoe Leonard Strange Fruit. He is the Director of the Low-Residency MFA Program at the School of the Art Institute of Chicago and is on the faculty of the Whitney’s Independent Study Program. In a 1993 project with the filmmaker Cheryl Dunye, the sharing was direct. Evidence of her investment tends to lie in how she returns to a subject or theme. Entitled Strange Fruit (for David), it was made from 1993 to 1998 by New York artist Zoe Leonard. Some of us ask similar questions about photography in the era of smartphones. It reveals this artist to be not only a gifted storyteller, but a virtuoso of photographic technology. In the year of his death, which was also a presidential election year, she produced her most flat-out polemical work, a 300-word anti-authoritarian statement, part manifesto, part embittered cri de coeur, demanding radical change. Speakers include Gregg Bordowitz, Jonah Groeneboer, Katherine Hubbard, Fred Moten, Cameron Rowland, and Christian Scheidemann. Saved by Lau • ra. Zoe Leonard was born in 1961 in Liberty, New York, the daughter of a Polish refugee, and grew up in New York City. Fred Moten is a writer and scholar focused in black studies, performance studies, poetics, and critical theory. Elisabeth Sherman, assistant curator, moderates the conversation. He has lectured and published extensively on conservation and the meaning of material and process in contemporary art. During the same period, Leonard reconstituted a tree that had been cut up outside, developing an elaborate process of preserving dried leaves in order to attach them to the branches ( Secession: Zoe Leonard , p.21). 1961), Strange Fruit, 1992-97. The artist laid the old ones on her studio floor and photographed them, small and distant, from above, to make new pictures in which a still just-reachable past and a speeding-by present are united: both precious, both keepers. But there’s also something about it that amuses me in a way. 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